Programme
Carl Maria von Weber
"The Marksman" Overture
Béla Bartók
Piano Concerto No. 1
Johannes Brahms
Symphony No. 3 in F major
Prices
from 64 | 53 | 45 | 39 | 29 | 22 €
FLEX fee + 6 €
Discounts:
from 10 € for students up to 18 years | young people up to 30 years.
from 11 € for Dresden Pass and SB from GdB 80
NEW: Use subscription discount directly: Click on „Tickets“, then first click on „Log in“ at the top right, then select seats.
Prices
from 64 | 53 | 45 | 39 | 29 | 22 €
FLEX fee + 6 €
Discounts:
from 10 € for students up to 18 years | young people up to 30 years.
from 11 € for Dresden Pass and SB from GdB 80
NEW: Use subscription discount directly: Click on „Tickets“, then first click on „Log in“ at the top right, then select seats.
Duration: approx. 1 hr 45 mins including intermission
With drums and piano - Bartók's First Piano Concerto can safely be described as a percussion concerto. Not only because he treats the piano almost like a percussion instrument, producing more rhythm than melody, but also because the timpani are equal partners to the piano. In contrast, Brahms' Third Symphony seems almost meditative, with many considering it his most emotionally mature work. This is also due to the third movement, which is one of the most famous slow symphonic movements and has often been used in film music. The concert opens with an opera in fast motion. In the overture to his "Freischütz," Weber tells almost the entire story of the opera, including village romance and the Wolf's Glen. The horns play a special role, symbolizing hunting, the forest, and German Romanticism. It is no coincidence that "Der Freischütz" is considered the first true German Romantic opera and deeply impressed and influenced Richard Wagner.Carl Maria von Weber
"The Marksman" Overture
Béla Bartók
Piano Concerto No. 1
Johannes Brahms
Symphony No. 3 in F major