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Film and music

Das Cabinet des Dr. Caligari

Horror at its best in the concert hall

03/16

Tuesday | 03/16/2027
7:00 pm Start of Concert
Kulturpalast, Konzertsaal

Prices
from 64 | 53 | 45 | 39 | 29 | 22 €
FLEX fee + 6 €
Reduced prices:
from € 10 for pupils under 18 
from €10 for young people under 30
from 11 € for Dresden-Pass and SB from GdB 80
Who receives discounts? Read here.

About the Concert

Crooked houses and painted shadows - the sets in this milestone of German film expressionism are intentionally unrealistically built, as they reflect psychological states and are meant to create a sense of unease. "The Cabinet of Dr. Caligari" tells the story of the titular fairground showman, who presents the sleepwalker Cesare, a somnambulist who supposedly can predict the future. Shortly thereafter, mysterious murders occur, and Cesare becomes a suspect. The plot unfolds as a flashback of a young man named Francis, who tries to uncover the truth. However, it is revealed in the end that the entire story was told from an unexpected perspective. Reality and madness become indistinguishable. The film, shot in 1920, had a great influence on later horror and thriller films, including Hitchcock and film noir. In our screening, the film will be accompanied on the big screen by the great French organ virtuoso and composer Thierry Escaich, who was enthusiastically celebrated for his legendary improvisational skills at his last silent film concert ("Sunrise" by Murnau) and who will highlight the special moods of the film on the grand concert organ.

As part of the Dresden Silent Film Days.

Programme

Robert Wiene
"The Cabinet of Dr. Caligari" Silent film, Germany 1920

Artists

Thierry Escaich
Organ

Biographies

Thierry Escaich

Thierry Escaich has been titular organist at Notre-Dame de Paris since 2024. He is also a sought-after organ soloist with orchestras and in concert halls worldwide. In 2022/23, he was the Palastorganist of the Dresden Philharmonic and its composer in residence. He is also well known as a composer, and his works are very popular. His style is based on the French compositional tradition of Ravel, Messiaen and Dutilleux, but also incorporates elements from popular music and sacred music.

read biography

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