Choir and Orchestra

Tango mass

Pure passion. Tango meets the human voice.

10/31

Friday | 10/31/2025
7:00 pm Start of Concert
Kulturpalast, Konzertsaal
24 €
10 € for Schüler unter 18J.
10 € for Junge Leute u. 30J.
12 € for Schwerbehindert ab GdB80
12 € for Dresden-Pass

About the Concert

Choir and tango? And even a liturgical text together with the most sensual of all dances, how does that fit together? Very well, as you can hear in this concert. In fact, it is a concert of discoveries. Because when do you ever hear a bandoneon in a concert hall? The sister of the accordion was invented in Chemnitz and began its triumphal march when the bandoneon made its entrance into South American tango orchestras at the beginning of the 20th century. Since then, it has become indispensable and in Argentina it is praised as "the best German invention". String orchestra, bandoneon, piano, and our Philharmonic Choir - let yourself be carried away into a musical world full of passion, pride, and sensuality!

Program

Astor Piazzolla
"Libertango"

Wojciech Kilar
"Orawa"

Astor Piazzolla
"Oblivion"

Martin Palmieri
"Misa a Buenos Aires" Tango Mass for mezzo-soprano, choir, bandoneon, piano, and string orchestra

Artists

Iris Geißler
Management
Gabriela Vermelho
Mezzo-soprano
Jakub Jedlinský
Bandoneon
Kateřina Ochmanová
Piano
Philharmonischer Chor Dresden
Philharmonisches Kammerorchester

Biographies

Iris Geißler

Iris Geißler has been conducting the Dresden Philharmonic Choir since fall 2022 and is also the musical assistant to choir director Gunter Berger and the stage manager of the Philharmonic Children's Choir. For several years, the trained pianist taught piano accompaniment and coaching at her alma mater, the University of Music "Carl Maria von Weber" in Dresden. In addition to her work with the Philharmonic Choirs, she gives piano lessons and is active as a singer in various ensembles and as a choir director for other choirs.

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Gabriela Vermelho

Czech-born Gabriela Vermelho is a multi-talented artist: as a violinist, violist, quintonist, singer, songwriter, composer, actress and musical experimenter, she is familiar with the stage from many perspectives and likes to combine all possible music styles. She is a member of the music group GaRe and the Gadrew Way String Quartet.

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Jakub Jedlinský

Accordionist, bandoneonist and music educator Jakub Jedlinský is the winner of numerous competitions and performs as a soloist and chamber musician at music festivals in his native Czech Republic, as well as in Germany, Denmark, the UK, Belgium and France, among other places. In 2011, he founded the Escualo Quintet, which is dedicated to Argentine tango. He is also a member of the Bardolino Ensemble and GaRe, a crossover chanson cabaret, and performs as a duo with violinist Pavel Fischer.

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Kateřina Ochmanová

Pianist Kateřina Ochmanová is a graduate of the Academy of Performing Arts in Prague and became a sought-after soloist and accompanist already during her studies. Today she is a lecturer and répétiteur at the Pardubice Conservatory and a member of the well-known Prague ensemble Quasi Trio, which performs in the unusual line-up of clarinet, cello and piano. Since Kateřina Ochmanová is passionate about drawing, she has also illustrated several books.

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Philharmonischer Chor Dresden

The Dresden Philharmonic Choir has been active for over 55 years, since it was founded in 1967 on the initiative of Kurt Masur. The approximately 70 singers perform the demanding choral work in their free time. They give concerts with the Dresden Philharmonic Orchestra under the direction of the respective chief and guest conductors, collaborate with other choirs and orchestras and perform a cappella programs in and outside of Dresden. Iris Geißler has led the ensemble since October 2022.

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Philharmonisches Kammerorchester

The Dresden Philharmonic Chamber Orchestra is one of the most traditional chamber ensembles in Dresden. Founded by Dresden Philharmonic musicians in 1969, it has since found a firm place in the musical life of the city and beyond. Its artistic profile was significantly shaped by the Dresden Collum Concerts, the Zwinger Serenades at the Dresden Music Festival and later by the reconstruction concerts for the Dresden Frauenkirche.

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