Programme
Felix Mendelssohn Bartholdy
"The Hebrides" Concert Overture
James MacMillan (Composer in Residence)
"Veni, Veni, Emmanuel" for percussion and orchestra
Jean Sibelius
Symphony No. 2 in D major
Prices
from 64 | 53 | 45 | 39 | 29 | 22 €
FLEX fee + 6 €
Reduced prices:
from € 10 for pupils under 18
from €10 for young people under 30
from 11 € for Dresden-Pass and SB from GdB 80
Who receives discounts? Read here.
Prices
from 64 | 53 | 45 | 39 | 29 | 22 €
FLEX fee + 6 €
Reduced prices:
from € 10 for pupils under 18
from €10 for young people under 30
from 11 € for Dresden-Pass and SB from GdB 80
Who receives discounts? Read here.
The percussion section in the orchestra is actually a whole set of percussion instruments, ranging from drums and tomtoms to cymbals and marimba, as well as wood block, cowbell, and tambourine. Accordingly, concerts composed for this group of instruments are also impressive, "Veni, Veni, Emmanuel" by our Composer in Residence Sir James MacMillan is no exception, for the soloist, his concerto that made him famous overnight in 1992 is a true marathon. It is based on a French Advent hymn from the 15th century. The Second Symphony by the Finn Jean Sibelius, on the other hand, takes us north: Around 1900, Russia tried to exert stronger control over Finland, triggering a strong need for cultural self-assertion in the population. Sibelius responded to this musically: The symphony audibly evolves from dark, tense beginnings to a radiant, triumphant finale – for many, a musical depiction of oppression and liberation. Particularly, the finale was perceived as a gesture of departure and a symbol of national strength.
Felix Mendelssohn Bartholdy
"The Hebrides" Concert Overture
James MacMillan (Composer in Residence)
"Veni, Veni, Emmanuel" for percussion and orchestra
Jean Sibelius
Symphony No. 2 in D major